marian "meet me in the bone pit" hawke (
shellhawked) wrote in
rosenblumhall2025-04-19 05:04 pm
and we all wanna party when the funeral ends
[Holy hell, what a week this day has been.
In the immediate aftermath of the trial, Hawke disappears into her room. It takes a while, maybe an hour and a half, before she emerges again. She's changed out of her trial clothes into something a few people might find familiar: dark make-up (slightly runny), a faded red tank top cut from a t-shirt, shredded jeans and heavy black boots. In short, her Secret Midnight Band clothes. Her first stop is to look for Anthy and, after securing her help, folded notes handwritten in purple ink are slid under dorm doors and posted in the main areas:]
Dinner in the Dining Hall. Memorial in the Conservatory.
[The dinner in question is a layout of leftovers and various ready-to-go snacks with plates and utensils ready to go. It's not exactly a full funeral spread but you work with what you've got in the time you've got. From the conservatory music plays. The only instruments are Anthy's guitar and Hawke's voice which, while not the best, carries clearly in the acoustics of the room.
It's not much of a memorial but it's better than being alone.]
In the immediate aftermath of the trial, Hawke disappears into her room. It takes a while, maybe an hour and a half, before she emerges again. She's changed out of her trial clothes into something a few people might find familiar: dark make-up (slightly runny), a faded red tank top cut from a t-shirt, shredded jeans and heavy black boots. In short, her Secret Midnight Band clothes. Her first stop is to look for Anthy and, after securing her help, folded notes handwritten in purple ink are slid under dorm doors and posted in the main areas:]
Dinner in the Dining Hall. Memorial in the Conservatory.
[The dinner in question is a layout of leftovers and various ready-to-go snacks with plates and utensils ready to go. It's not exactly a full funeral spread but you work with what you've got in the time you've got. From the conservatory music plays. The only instruments are Anthy's guitar and Hawke's voice which, while not the best, carries clearly in the acoustics of the room.
It's not much of a memorial but it's better than being alone.]

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At the dinner/memorial gathering, once her singing is done, she retreats to the Billiards Room. She can be found sitting on one of the pool tables, a plate of mostly untouched snacks next to her as she absentmindedly rolls the 8 ball under her palm against the green velvet.]
A-3
[She does not meet Hawke's eyes, staring at the floor, breathing deeply.]
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billiards room
despite the exhaustion, despite the grief, there's something she hasn't felt in a long time, too. she's not sure what it is. she glances up from her coffee, seated at the bar and ignoring her own mostly untouched food, then finally speaks up. ]
... Thank you again, Hawke. For earlier.
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shes normal.
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after that, she's changed and showered since the trial, throwing on one of her ave mujica shirts along with dark jeans and boots. that ordinarily shaggy bob is tied back into a loose ponytail, and... well, when she steps into the conservatory, she's brought her guitar, hanging on her back like a knight's sword. she glances to anthy and hawke in turn, resting a hand on the back of her neck: ]
... I'd like to join in, if you're still going. [ this isn't about... playing with a band. it's not about performing. it's about remembering someone who she realized was important far, far too late.
... it's about remembering both of them.
after that, she makes her way to the dining hall to make herself a plate from some of what remains, but her appetite... isn't there. she picks at her food in fits and starts in the billiards room afterwards, seated at the bar and mostly just staring into her coffee. ]
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After a beat she looks back to Doloris and smiles.]
I think we've got a few more songs in us.
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dining hall
[ Kohaku greets Doloris as she emerges from the kitchen. Then, she hesitates, uncharacteristically unsure of what to say. ]
...Are you certain you have no scrapes that require dressing?
[ Maybe she just asks because it's a familiar thing to do. ]
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B-4
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That plant is still where she left it, though—tucked aside to shelter it from the traffic of the others' feet. She slides its roots down into the pot and buries them in soil, unaware of the crestfallen expression on her own face.
Later, she can be found in the kitchen. Rather than assisting with the food prep, though, her attention seems to be on any uncooked perishables that remain. She's noting them down: what can be pickled, what should be consumed in the next day to keep it from going bad. If she has any appetite of her own, she hasn't noticed it. ]
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[Or organize, as the case may be. Her expression settles into something like recognition when she sees Kohaku — when she sees what she's doing. Lottie and Misty, they kept talking about it. About following the rules, letting it take what it wants. So if they're to survive, then . . .]
Is there anything I can do to help?
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[She's not looking up. Her voice, surprisingly delicate, surprisingly soft.]
It's going to happen again, isn't it.
[It's not a question.]
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Kitchen
Need make jam now? [It's a simple question, but the expression on her face conveys so much. That she can't believe it's really come to this, that now they need to adjust the rationing for two less people, that the next time it just might be the food that's taken away.]
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Kitchen
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cw: cannibalism ref
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cw: child death, human trafficking
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[Her Secret Midnight Band outfit is a lot more conservative than Hawke's, let alone Sayo's: just a black t-shirt and black jeans, which somehow still manages to be shocking on Anthy, who rarely wears pants. She manages to look very small in it and dwarfed by her guitar, which she plays with gradually-increasing confidence as time goes on. It's harder to do any of this without Sayo, but it feels important. They barely had to look at each other to know it had to be done.]
[So she plays, eyes on the floor, sometimes glancing up at Hawke at important moments in a song, sometimes looking at nothing at all. In an unlikely twin to the guitar strapped across her front, she's strapped the foil of speculation, the one with the K on the hilt, across her back. She wants it close, but that's not the only reason it's here with her now.]
[It's in another one of those don't-even-have-to-speak moments when she and Hawke both pause. She glances up, lets out a breath, and sets her guitar carefully against the wall.]
Excuse me.
[Her voice is so hoarse. She clears her throat, pulls the foil around to her front, and pulls it out of its makeshift harness. Pale knuckles lead to shaking fingers lead to a tight grip around the hilt. Between her first and second fingers, K.]
There's something we — need to tell you. Since — the person who should be able to, they can't.
Someone else died this morning. With Sayo. And they both deserve . . . deserve to be remembered.
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Someone else? What do you mean?
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1/2
2/2
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...Should she be thankful that she hasn't? Or is it a burden...?
She's uncharacteristically quiet at the dinner as she just kind of... stares blankly at her food and moves it around a bit instead of eating. She is perhaps engaging in one of the more dangerous pastimes... thinking.
She'll probably make an appearance at the memorial, even if she's not really sure what she should do there because she didn't really know Sayo all that well.. but she'll head to her room to gather up some paper so she can head to the library and write some letters. They're all in Russian, and cursive Russian at that, so they're probably incomprehensible. But, uh, you know.]
library
Sorry... I'll clean it up in a minute.
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library
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The letter reminds them that they should eat. They should do something that isn't just stare listlessly into the space approximately two inches from their face. So they head down to the dining hall where they pick at some of the food, not really succeeding in eating much. If you join them, they try to force a smile.]
Hey. I know today's been a hell of a lot, but how are you holding up? Anything I can do for you?
[Is it selfish to want to be given a task, so they can feel like they're accomplishing something? Hell, they don't know.
They'll also go hang out in the conservatory to listen to the music, but yet again they are zoned out and not exactly paying attention to much. Dagr may be physically present, but their mind is miles away, focused on something else entirely given the blank stare at absolutely nothing. They tried? That's really the most that can be expected of them right now.]
A-2
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a-2
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But there's a small table set up outside the conservatory while everyone is at the memorial. And there's some homemade chocolate chip cookies on it, along with a few guitar picks, in case anyone's close to running out. ]
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Thank you. I know this must be hard for you, too.
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Later, though, there will be some commotion coming from the library. Books thrown everywhere, medical texts sprawled all over the tables. Satsuki tearing through the shelves. There might also be some crying and yelling? It's fine. It's fine. You're fine, she's fine. The world is fine and dandy!]
library
Sa... [ She forces her voice to rise. ] Satsuki-san?
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She makes no move to approach anyone else for a long time. If someone settles in close to her, though...]
I knew it. I knew if someone would do it, it would be her.
[If one is able to listen past the less-than-expected venom in her voice, there's something else slipping out. She sounds... sad? Closer examination will show that, like a lesser version of when she witnessed Mariko's punishment, her eyes are threatening to well up and she's ever so slightly trembling.]
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They join Dorothy without a word, though their eyes dart when she speaks up. They don't blame her for being mad, and it's not like Misty's innocent. Even in the absolute best case scenario, she still cut Sayo up. Dagr has a hard time believing the whole thing was just an accident, though.]
It shouldn't have happened. We could've kept working together to deal with the cold. We were doing well, weren't we?
[Sure, it sucked, and maybe things would have gotten much, much worse if they'd gone on any longer. It's not like Dagr would know. But the betrayal of trust followed by the world's worst scavenger hunt coupled with that harrowing mockery of a trial...
They heave a sigh and run a hand back through their two-toned hair.]
Have you eaten anything yet, Dorothy? I'm sure that's the last thing on your mind right now.
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She stands in A-4. She hates sharing a room with others. On some level, even sharing with Kana is uncomfortable. A part of her wished for a single, for her space, for Misty especially to disappear.
She got her wish, didn't she?
That leaves such a pit in her stomach.
It's only polite to go to the conservatory...and it feels like the only thing she can do. Two people she knew are dead. Unlike some story, there's concrete proof that they were real and there and now they're not. Rinne doesn't know how to cope with that.
So she listens to the music. And she looks around, thinking about how the conservatory is even more impeccably clean than Misty tried to leave it. ]
A-4
Her stuff. [ Lottie rasps. ] What are you gonna do with it?
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conservatory
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Afterwards, she quietly spends some time in the conservatory quietly listening to the music. She doesn't feel especially hungry right now, and is lost in thought.]
Does Crystal's family know, I wonder. I don't know if anybody's gonna find her body now.
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[Satsuki doesn't even know who Crystal was! But... she does linger a little when she hears Kana.]
Um... I'm sorry. About what I did. I should have asked. [Before I hugged you.]
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A-4
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a-4
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conservatory
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conservatory
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conservatory
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cw false student teacher romance (dammit Kana)
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haunting (cw drug use in this thread, will add additional cws as needed)
cw drug use
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cw drug use
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[She does, eventually, start approaching people who don't actively hate her, smile fixed and not reaching her eyes.]
How are you holding up?
[nailing it]
[Later on, once things have died down, she's in the billiards room- yeah, that's the saddest home putt-putt course you've ever seen. A pool cue has been point-and-click combined with some tape and a tenderizing mallet from the kitchen to knock the billiard balls into a laying on the ground.]
[Vanity gives one a too-aggressive tap of the improvised putter and sends the ball past the mug and into the wall with a loud clack. She inhales sharply, straightening up and marching forcibly past the mug to gather what looks to be the full set of balls from various points along the baseboard.]
...this floor is uneven. The craftsmanship is completely appalling.
billiards room
...What are you doing?
[They're curious, and Dagr enters the room to see the balls Vanity's retrieving. Makeshift minigolf...?]
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I mean it. Justice is always served.
Later, if Anthy gives her permission, she goes to see Mariko in B-2 and spends a while at her bedside, knitting some kind of hat while she hums under her breath. Even the sight of her drawn face, the movement behind her closed eyelids, manages to dredge up some envy in her wicked heart, because she did not have to see it. No matter what monsters stalk her friend's dreams, she did not have to be there today. She has yet to forcibly witness the true nature of the people she is trapped with.
She shows up late to the dinner, and resolutely eats whatever food looks the worst and oldest as mechanically as she can. Her mother's voice, ragged and distraught, screaming that they will starve, echoes through her mind until she goes to the conservatory. There, the music finally drowns her out. She's polite and cordial enough to everyone, but doesn't seem much inclined to talking.
Late at night, you can find her in the lounge, stoking a fire which is once again 90% ornamental. Only two days ago, they had all been gathered here. She gazes into the flames with a wide-eyed fixation that makes her seem entirely oblivious to her surroundings... until she speaks to any newcomer without so much as turning around. ]
Good evening. [ ... ] I was just going.
[ on the opposite end of the spectrum entirely, maybe she actually is nodding off and needs to get shaken awake ]
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[. . . all right, she might entertain the thought of doing it to Vanity, but only if she was being very annoying and only for a second.]
[The point is: Thomasin is welcome to stay as long as she likes. She fusses a bit, even, taking care that she has good lighting to knit with and a pillow for her back. She leaves the two of them to it, but it's not long before she's back, expression drawn. There's not much of a crowd in the conservatory, but grief makes the room choking.]
Sorry, I won't be long, [she mumbles, because apologizing feels correct, and stumbles over to her bed, where she draws her feet under her and sits with her hands folded in her lap, fingers entwined, looking at the join of her wrists and thinking about how easy it would be for someone to separate her hands from her forearms.]
[It's suffocating in here, too, but at least she knows Thomasin doesn't blame her. Although why she trusts that to be true is another set of questions entirely.]
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A-1
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lounge
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wakey wakey
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Eventually though, she'll head down to the dining hall to get some food. A girl's gotta eat. If she looks like she's been crying, that might just be a coincidence.]
dining hall
Her eye scrutinizes Mafuyu when she comes traipsing in, thoughtful.]
... Kurosaki.
There's still plenty left.
[Yeah, there hasn't been much appetite from anyone.......]
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dining hall
Re: dining hall
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What’s to say, when tragedy strikes again, that they won’t suspect her once more?
The conservatory is anathema now, which is a shame, because that was Lottie’s favorite room in the place. The room with the next best windows is the entrance hall, where, after the memorial, Lottie takes her blanket and huddles in a corner, watching the storm.
If you enter the hall, she will not acknowledge you. But if you say something, or stay long enough, she might look at you, exhaustion and grief set deep in her eyes. ]
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cw: human trafficking, slavery, forced labor, abuse
How many people were going to die while she lived?
And then...there was something else on her conscience too.
There would be time enough for that. Once Hawke's concert was done, Chris would be one of the volunteers to sing. An unusual choice for someone who reportedly saw her presence on the Academy choir as an obligation, but...she did it nonetheless. ]
This is "True Colors"...this song means a lot to me. I don't know if it really fits all this, but...I want to share it.
[ At dinner, Chris eats quietly
but somehow still manages to make a mess all over her face. Those who look at her can tell she's holding something in...until she finally decides to say something. Tapping her glass, she bites her lower lip, before speaking: ]I feel like I owe you guys an explanation for some of the stuff I talked about during the trial. Um, the reason why I said some of the stuff I did in the trial...is because when I was younger, my parents were killed while we were abroad in [REDACTED]. I was separated from our security detail in the chaos, and captured and held in a work camp for over a year...I was forced to labor along with other children, and they...they abused us. Pushed us too hard. I saw other kids die. Starve. Some just disappeared. Others d-died...on the job...others...they did horrible things just to survive...
[ By this point, she's pale and her hands are shaking. ]
It's all happening again. People are d-dying and I can't stop it. I can't let anyone who'd hurt someone else get away with it...
[ She lowers her head and frowns. ]
I just thought you should all know what that was all about.
[ She sits quietly for the rest of the party; she'll talk to anyone who approaches her, but for now, any social interaction will be focused or be based on anyone who comes to her. She's checked out for the evening, otherwise. ]
cw: human trafficking, slavery, forced labor, abuse
[Breathing deep and chewing her lip.]
Finally telling everyone your secret backstory, huh. Time was I might have been a little jealous of that.
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